Técnicas y procedimientosun acercamiento al proceso creativo en el medio tecnográfico
ISSN: 1695-761X
Year of publication: 2002
Issue: 0
Pages: 69-80
Type: Article
More publications in: Revista de Bellas Artes: Revista de Artes Plásticas, Estética, Diseño e Imágen
Abstract
We often find terms that, although they appear in a large number of places, particularly in the names of subjects taught as part of a Degree in Fine Arts, seem vague and vacuous. In the best of cases, they are associated to meanings that only refer to partial aspects of their true scope, thus losing the opportunity to develop the enormous set of concepts that are capable of enriching many of the elements involved in theory and practice in the artistic field. This is true of the terms Techniques and Procedures. They are considered in this article, which views them within the field of artistic production known as technography. The use of instruments of a technological character for creative purposes has introduced new variables related to the creative process with traditional (cheirographic) methods. Although there are a series of aspects in this process that have a substantial impact, and therefore have to be taken into consideration, the essence of creative development continues to be the same, showing that both systems (cheirographic and technographic) are based on activities resulting from a combination of both creative and operative mechanisms
Bibliographic References
- COSTA, Joan. El lenguaje Fotográfico, Ibérico Europea de Ediciones, Madrid, 1977.
- ARNHEIM, Rudolf. El cine como arte, Paidós, Barcelona, 1986.
- BLANCO/GAU. Fundamentos de la composición pictórica, Dirección General de Universidades e Investigación del Gobierno de Canarias, Tenerife, 1996.
- BARROSO GARCÍA, Jaime. Introducción a la realización televisiva, Instituto Oficial de Radio y Televisión, Madrid, 1988.
- SANZ, Juan Carlos. El libro de la imagen, Alianza Editorial, Madrid, 1996.
- VIGOUROUX, Roger. La fábrica de lo bello, Editorial Prensa Planeta, Barcelona, 1996.