Adeline Mowbray, or, the bitter acceptance of woman's fate

  1. Díaz Bild, María Aída
Revista:
Alicante Journal of English Studies / Revista Alicantina de Estudios Ingleses: RAEI
  1. Morell Moll, Teresa (coord.)
  2. Aleson-Carbonell, Marian (coord.)
  3. Tabuenca Cuevas, María (coord.)

ISSN: 0214-4808,  2171-861X

Año de publicación: 2010

Título del ejemplar: Research on Teaching in English

Número: 23

Páginas: 187-211

Tipo: Artículo

DOI: 10.14198/RAEI.2010.23.11 DIALNET GOOGLE SCHOLAR lock_openRUA editor

Otras publicaciones en: Alicante Journal of English Studies / Revista Alicantina de Estudios Ingleses: RAEI

Resumen

Eighteenth-century women writers believed that the novel was the best vehicle to educate women and offer them a true picture of their lives and “wrongs”. Adelina Mowbray is the result of Opie’s desire to fulfil this important task. Opie does not try to offer her female readers alternatives to their present predicament or an idealized future, but makes them aware of the fact that the only ones who get victimized in a patriarchal system are always the powerless, that is to say, women. She gives us a dark image of the vulnerability of married women and points out not only how uncommon the ideal of companionate marriage was in real life, but also the difficulty of finding the appropriate partner for an egalitarian relationship. Lastly, she shows that there is now social forgiveness for those who transgress the established boundaries, which becomes obvious in the attitude of two of the most compassionate and generous characters of the novel, Rachel Pemberton and Emma Douglas, towards Adelina.

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