Of Godfathers and MarketsThe Politics of (the) American Gangster

  1. Fabián Orán Llarena
Revista:
Atlantis: Revista de la Asociación Española de Estudios Anglo-Norteamericanos

ISSN: 0210-6124

Año de publicación: 2020

Volumen: 42

Número: 1

Páginas: 57-75

Tipo: Artículo

DOI: 10.28914/ATLANTIS-2020-42.1.04 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

Otras publicaciones en: Atlantis: Revista de la Asociación Española de Estudios Anglo-Norteamericanos

Resumen

Este artículo analiza en profundidad la película American Gangster (2007) como reinterpretación del cine de gánsteres en clave neoliberal. Desarrollando una metodología basada en estudios culturales y de género cinematográfico, sostengo que la película revisita temas e imágenes troncales del cine de gánsteres bajo la influencia de la ideología neoliberal y abordando ciertas visiones y fenómenos vinculados a la acumulación capitalista, como el Keynesianismo, el libertarismo o la relación entre las esferas estatal y privada. Existe abundante producción académica centrada en el capitalismo neoliberal y su afianzamiento como el sistema político y económico hegemónico de nuestro tiempo. Sin embargo, los estudios de cine aún no han abordado exhaustivamente la representación del neoliberalismo en el cine. Es más, se observa una importante escasez de investigación sobre la posible plasmación cinematográfica del neoliberalismo con atención a especificidades de género. American Gangster se presenta como una película particularmente idónea para tratar todas esas cuestiones de manera unificada y cohesiva.

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Fuente de los datos: Dialnet