Becoming An-Other. An Ecofeminist Critique of Contemporary Canadian Drama

  1. Voyer, Véronique
Zuzendaria:
  1. Manuela Palacios González Zuzendaria

Defentsa unibertsitatea: Universidade de Santiago de Compostela

Fecha de defensa: 2022(e)ko apirila-(a)k 19

Epaimahaia:
  1. Juan Ignacio Oliva Cruz Presidentea
  2. Laura María Lojo Rodríguez Idazkaria
  3. Lorraine Kerslake Young Kidea

Mota: Tesia

Laburpena

This dissertation analyses six Canadian plays through an ecofeminist lens. The study, which focuses on stories written by francophone, anglophone, and Indigenous playwrights, attempts to discover: 1) In what ways do the plays show the intertwining of ecocide, colonialism, gender, and racial inequalities in Canada? And 2) what new tropes and theatrical forms emerge from this political theatre? This research shows that the plays analysed create narrative structures and systems of representation (e.g., of gender, of human/nonhuman relationships) that stress the entangling of racial and gender inequalities in environmental destruction, highlighting the importance of animal studies and decolonial thinking, two aspects sometimes absent from mainstream ecofeminist critique.