El Molino y la Cruz. Entre la metapintura y las narraciones transmedia

  1. Clementina Calero Ruiz 1
  1. 1 Universidad de La Laguna
    info

    Universidad de La Laguna

    San Cristobal de La Laguna, España

    ROR https://ror.org/01r9z8p25

Revista:
Revista Latente: Revista de Historia y Estética del Audiovisual

ISSN: 1697-459X

Any de publicació: 2022

Número: 20

Pàgines: 135-153

Tipus: Article

DOI: 10.25145/J.LATENTE.2022.20.06 DIALNET GOOGLE SCHOLAR lock_openRIULL editor

Altres publicacions en: Revista Latente: Revista de Historia y Estética del Audiovisual

Resum

Polish director Lech Majewski based his film «The Mill and the Cross» on two different sources: Michael Francis Gibson’s homonymous dissertation and The Procession to Calvary, Brueghel’s oil-on-panel masterpiece. The filmmaker paints a picture within another, a humongous, slow and silent tableaux vivant because slow is the creative process as well. Only the conversation between the painter and the art dealer, in which the first one explains the ways his painting has been made, breaks the quietness.

Fuente de los datos: Dialnet