El cuerpo de la mujer como trofeo nacional en Cracking India de Bapsi Sidhwahistorias de vergüenza y culpa

  1. González-Rodríguez, María Luz 1
  1. 1 Universidad de La Laguna
    info

    Universidad de La Laguna

    San Cristobal de La Laguna, España

    ROR https://ror.org/01r9z8p25

Revista:
Philologica canariensia

ISSN: 1136-3169

Año de publicación: 2023

Número: 29

Páginas: 175-191

Tipo: Artículo

DOI: 10.20420/PHIL.CAN.2023.595 DIALNET GOOGLE SCHOLAR lock_openAcceso abierto editor

Otras publicaciones en: Philologica canariensia

Resumen

Cracking India (1991), considerada como la novela más destacable de la escritora pakistaní-estadounidense de ascendencia parsi Bapsi Sidhwa, se centra en el acontecimiento histórico de la Partición que tuvo lugar en 1947, que dividió el subcontinente indio en los países de India y Pakistán. La trama es sustancialmente ginocéntrica y relata los horrores de este conflicto territorial, político y social y de cómo las mujeres fueron cosificadas no solo desde una perspectiva sexual, sino también como trofeos de poder y humillación ante el enemigo. El objetivo de este artículo es explorar los conceptos de vergüenza y culpa en las relaciones de poder aplicando la teoría de los afectos desde una perspectiva de género.

Referencias bibliográficas

  • AHMED, S. (2014). The Cultural Politics of Emotion (2ª ed.). Edinburgh University . (Trabajo original publicado en 2004).
  • AHMED, S. (2016, 12 de febrero). Feminist Aunties. Feministkilljoys. https://feministkilljoys.com/2016/02/12/feminist-aunties.
  • BASU, L. (2007). The Repetition of Silence: Partition, Rape, and Female Labor in Bapsi Sidhwa’s Cracking India. South Asian Review, 28(2), 5-26. https://doi.org/10.1080/02759527.2007.11932514.
  • BOKHARI, S. S. (2018). Gender Presentation in Postcolonial Literature: By Diasporic Writer - Bapsi Sidhwa, (Solemn Feminist Paradigm). International Journal of Applied Research, 4(1), 377-381. https://www.allresearchjournal.com/archives/?year=2018&vol=4&issue=1∂=F&ArticleId=4770.
  • BUTALIA, U. (1993). Community, State and Gender: On Women’s Agency during Partition. Economic and Political Weekly, 28(17), 2-17.
  • BUTT, N. (2015). Transcultural Memory and Globalised Modernity in Contemporary Indo-English Novels. De Gruyter. https://doi.org/10.1515/9783110367355.
  • DAIYA, K. (2008). Violent Belongings: Partition, Gender, and National Culture in Post-Colonial India. Temple University.
  • DEY, A. (2018). The Female Body as the Site of Male Violence During the Partition of India in Bapsi Sidwa’s Ice Candy Man. Complutense Journal of English Studies, 26, 27-45. https://doi.org/10.5209/CJES.54661.
  • FENG, P. (2011). Birth of Nations: Representing the Partition of India in Bapsi Sidhwa’s Cracking India. Chang Gung Journal of Humanities and Social Sciences, 4(2), 225-240. http://cgjhsc.cgu.edu.tw/data_files/CGJ4-2-01.pdf.
  • GOEL, G. (2015). Reconfiguring the Female Body: Trauma and Sacrifice in South Asian Partition Narratives [Tesis de máster, San José State University]. SJSU Scholar Works. https://doi.org/10.31979/etd.j24n-mje6.
  • HASAN, K. (2011). Translator’s Note. En S. H. Manto, Mottled Dawn. Fifty Sketches and Stories of Partition (pp. xv-xxvii). Penguin Modern Classics.
  • HEDIGER, R. (2018). Uncanny Homesickness and War: Loss of Affect, Loss of Place, and Rewordling in Redeployment. En K. Bladow y J. Ladino (eds.), Affective Ecocriticism: Emotion, Embodiment, Environment (pp. 155-174). University of Nebraska.
  • JAJJA, M. A. (2012). Portrayal of Partition by Bapsi Sidhwa and Khuswant Singh: A Comparative Study. Pakistan Journal of Social Sciences (PJSS), 32(1), 209-220. https://www.bzu.edu.pk/PJSS/Vol32No12012/Final_PJSS-32-1-16.pdf.
  • JOSHI, D. R. (2022). Justification of the Partition in The Weary Generations and Cracking India: An Alternative Pakistani Perspective. European Journal of Humanities and Social Sciences, 2(5), 23-30. http://dx.doi.org/10.24018/ejsocial.2022.2.5.318.
  • KHAN, Y. (2017). The Great Partition: The Making of India and Pakistan. Yale University. (Trabajo original publicado en 2007).
  • KLEIST, J. M. (2011). More than Victims: Version of Feminine Power in Bapsi Sidhwa’s Cracking India. Pakistaniaat: A Journal of Pakistan Studies, 3(2), 69-80. https://core.ac.uk/download/291839049.pdf.
  • KUMAR, P. (2014). Postcolonial Perspectives on Partition: A Study of Bapsi Sidhwa’s Ice-Candy-Man (Cracking India). Lapis Lazuli: An International Literary Journal (LLILJ), 4(2), 137-149.
  • MENON, R., y BHASIN, K. (1998). Borders and Boundaries: Women in India’s Partition. Kali for Women.
  • MICELI, M., y CASTELFRANCHI, C. (2018). Reconsidering the Differences Between Shame and Guilt. EJOP. Europe’s Journal of Psychology 14 (3), 710-733. https://doi.org/10.5964/ejop.v14i3.1564.
  • MUEENUDDIN, D. (2011). A Twist with Destiny. En S. H. Manto, Mottled Dawn. Fifty Sketches and Stories of Partition (pp. ix-xiv). Penguin Modern Classics.
  • NAVARRO-TEJERO, A. (2019). Sacks of Mutilated Breasts: Violence and Body Politics in South Asian Partition Literature. Journal of International Women’s Studies, 20(3), 42-50. https://vc.bridgew.edu/cgi/viewcontent.cgi?article=2124&context=jiws.
  • O’CONNOR, M. (2018). Exploring the Hindu/Muslim Divide through the Partition of Bengal. Revista Canaria de Estudios Ingleses, 76, 45-56. http://doi.org/10.25145/k-recaesom-2018.15.004.
  • PANDEY, G. (2003). Remembering Partition: Violence, Nationalism and History in India. Cambridge University. (Trabajo original publicado en 2001).
  • POWERS, J. M. (2000). Bapsy Sidhwa. En E. S. Nelson (ed.), Asian American Novelists: A Bibliographical Critical Sourcebook, (pp. 350-356). Greenwood.
  • PROBYN, E. (2010). Writing Shame. En M. Gregg y G. J. Seigworth (eds), The Affect Theory Reader (pp. 71-90). Duke University.
  • RAMANA, P. S. (2006). Reading Literature from the Margins. En B. Mishra y S. Kumar (eds.), Indian Writings in English (pp. 217-229). Atlantic.
  • SATHYA, V. (2020). Delineation of Cultural Partition Issues in Bapsi Sidhwa’s Ice-Candy-Man: A Study. GAP Interdisciplinaries. A Global Journal of Interdisciplinary Studies, 3(3), 79-86.
  • SEIGWORTH, G. J, y GREGG, M. (2010). An Inventory of Shimmers. En M. Gregg y G. J. Seigworth (eds), The Affect Theory Reader (pp. 1-25). Duke University.
  • SIDHWA, B. (1991). Cracking India. Milkweed.
  • SIDHWA, B., y SINGH, P. (1998). My Place in the World: Bapsi Sidhwa. Interview with Preeti Singh. Alif: Journal of Comparative Poetics, 18, 290-298. https://doi.org/10.2307/521890.
  • SINGH, B. (2015). Vocalising the Concerns of South Asian Women: A Gynocentric Critique of the Novels of Bapsi Sidhwa. Smart Moves Journal IJELLH, 3(10), 364-377. https://ijellh.com/OJS/index.php/OJS/article/view/978.
  • SINGH, P. (2021). Comparative Study of Ice Candy Man, Train to Pakistan and Alakh Nagri from the Perspective of Partition of Two Nations. Literary Herald, 7(1), 203-210. http://tlhjournal.com/uploads/products/24.puneet_singh_article.pdf.
  • SPINOZA, B. (1996). Ethics (E. Curley, trad.). Penguin Books. (Trabajo original publicado en 1677).
  • TANGNEY, J. P., y TRACY, J. L. (2012). Self-Conscious Emotions. En M. Leary y J. P. Tangney (eds.), Handbook of Self and Identity (pp. 174-193). Guilford Press. (Trabajo original publicado en 2002).
  • TOMKINS, S. (1963). Affect, Imagery, Consciousness: The Negative Affects. Springer.
  • TOMKINS, S. (1995). Shame and Its Sisters: A Silvan Tomkins Reader (E. K. Sedgwick y A. Frank, eds.). Duke University.