Las invisiblespresencias femeninas en la vida de César Manrique

  1. Yolanda Peralta Sierra 1
  1. 1 Universidad de La Laguna
    info

    Universidad de La Laguna

    San Cristobal de La Laguna, España

    ROR https://ror.org/01r9z8p25

Journal:
Revista de Historia Canaria

ISSN: 0213-9472

Year of publication: 2023

Issue: 205

Pages: 313-322

Type: Article

DOI: 10.25145/J.HISTCAN.2023.205.12 DIALNET GOOGLE SCHOLAR lock_openRIULL editor

More publications in: Revista de Historia Canaria

Abstract

Through César Manrique and the people who were part of his life and with whom he was connected, we can learn about the role of women in the art system in the 1940’s, ’50s and ’60s. And even more importantly, we can uncover the contribution of women in Manrique’s close environment to his personal and professional development. This includes women such Pepi Gómez, the artist’s companien; the painter and art critic Elvireta Escobio, Manrique’s intimate friend, and the New York gallery owner Catherine Viviano, who was responsable for Manrique’s entry into the New York art scene in the 1960s.

Data source: Dialnet