De los dioses de Homero al evemerismo cinematográfico

  1. Enrique Ramírez Guedes 1
  1. 1 Universidad de La Laguna
    info

    Universidad de La Laguna

    San Cristobal de La Laguna, España

    ROR https://ror.org/01r9z8p25

Revista:
Revista Latente: Revista de Historia y Estética del Audiovisual

ISSN: 1697-459X

Any de publicació: 2023

Número: 21

Pàgines: 9-23

Tipus: Article

DOI: 10.25145/J.LATENTE.2023.21.01 DIALNET GOOGLE SCHOLAR lock_openRIULL editor

Altres publicacions en: Revista Latente: Revista de Historia y Estética del Audiovisual

Resum

In this paper we address the relationship between the treatment of the gods in the Homeric epic, specifically in the Iliad, and the treatment given to them by the cinema in films based on this poem, demonstrating that the cinema mostly tries, despite the weight that the gods have in the Trojan War, to eliminate any supernatural aspect of their films, and relegating the Homeric gods, physically present in one way or another in the epic, to the dialogues, sacrifices, omens, dreams, etc., in order to adapt their results to the prevailing rationalist vision of our time.

Fuente de los datos: Dialnet