The Pedagogy of the Sasquatchimagining the aboriginal without feathers in Eden Robinson's "Monkey Beach"
- Lorenzo Modia, María Jesús (ed. lit.)
- Alonso Giráldez, José Miguel (ed. lit.)
- Amenedo Costa, Mónica (ed. lit.)
- Cabarcos-Traseira, María J. (ed. lit.)
- Lasa Álvarez, Begoña (ed. lit.)
Éditorial: Servizo de Publicacións ; Universidade da Coruña
ISBN: 978-84-9749-278-2
Année de publication: 2008
Pages: 609-617
Congreso: Asociación Española de Estudios Anglo-Norteamericanos. Congreso (31. 2007. A Coruña)
Type: Communication dans un congrès
Résumé
This paper analyzes Canada's foundational myths of Nature and Natives vis-à-vis recent negotiations of that same relationship by Aboriginal writers, and will offer a reading of Eden Robinson's novel "Monkey Beach" (2000) as paradigmatic of those changes. This novel, I will argue, exposes the contradictions of a colonial discourse that has produced visions of the natural/native space as void of meaning, as claustrophobic, and as filled with unknown threats (the famous "garrison mentality"). By focusing on the culture-specific figure of the Sasquatch, Robinson's text incorporates and analyzes those colonial notions side by side Aboriginal beliefs of the mythic and the supernatural. In the process, new meanings of nature and aboriginality will come about that contest those previously thought of as traditional or representative of the national ethos. At the same, I will try to show how the novel manages to avoid the common practices of stereotyping and/or essentializing aboriginality.