El cine argentino y la memoria popularconfluencias y aportes

Abstract

The cinema is one of the main cultural ways to show the will to experiment and not quite clear, but always in search of a fairer society. From the beginning of the Argentinean movies, the historical topics were very interesting for the public and the producers, so to reconstruct the period of the last military dictatorship lived by the Andean country. Such event was the main subject matter of the cinematographic production, during the following years of democracy. Likewise, with the objectivity broken, it is possible to recognize in the works, some elements of neorrealism, specially in the idea of considering the movie as a window through which one sees the world. Despite of the economic conflicts, the Argentinean cinema opened the doors to the will of change and to re-intensify the labour started in the 60’s about the new cinema, by means of the work cooperative societies. The re-strengthening of the audio-visual Latin-American space worked together with the development of a cinema, with its own personality and with its own aesthetic conceptions