De "Trece badaladas" a "Trece campanadas", ou de como dun argumento xurdiron unha novela e unha película (II)
ISSN: 1138-9664
Year of publication: 2013
Issue: 16
Pages: 87-93
Type: Article
More publications in: Madrygal: Revista de estudios gallegos
Abstract
The creative process that generated Suso de Toro�s Trece badaladas and Trece campanadas, directed by Xavier Villaverde, departs markedly from what is usual in such cases, since the film adaptation is usually done when the literary work is a best-seller in order to make sure, thus, that it attracts the interest of a particular audience. In this case, Suso de Toro�s novel and Villaverde�s film came up almost at once, so that the publication of the book took place just a few months before the premiere of the film. In this paper, we outline the story of a project that resulted in two very different works and we analyze the points of agreement and disagreement between them.The creative process that generated Suso de Toro�s Trece badaladas and Trece campanadas, directed by Xavier Villaverde, departs markedly from what is usual in such cases, since the film adaptation is usually done when the literary work is a best-seller in order to make sure, thus, that it attracts the interest of a particular audience. In this case, Suso de Toro�s novel and Villaverde�s film came up almost at once, so that the publication of the book took place just a few months before the premiere of the film. In this paper, we outline the story of a project that resulted in two very different works and we analyze the points of agreement and disagreement between them.
Bibliographic References
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