Encubrimientos del Remake ciego. Los casos de Shane y Drive

  1. Luis Fernando de Iturrate Cárdenes 1
  2. David Fuentefría Rodríguez 1
  1. 1 Universidad de La Laguna

    Universidad de La Laguna

    San Cristobal de La Laguna, España

    GRID grid.10041.34

Revista Latente: Revista de Historia y Estética del Audiovisual

ISSN: 1697-459X

Year of publication: 2018

Issue: 16

Pages: 131-140

Type: Article

Export: RIS
DOI: 10.25145/j.latente.2018.16.006 DIALNET GOOGLE SCHOLAR lock_openOpen access editor


The restatement of the image and/or film story is as old as cinema itself. More complicated results grasp the remake limits, and its categorization, particularly in cases where director’s aspirations go through the evening recovery story, more than recognition for their version of a correlative or updated one. This article coined the definition of “blind remake”, adding itself to the taxonomies already set out and established, and applying it through a meticulous comparison between two films –Shane and Drive– very separated in time and place, but as identical in message background to qualify it as an isolated category subject to be studied in further researches, which this is only the first one