Rescaling Dissent in Some Transnational Storiessome Speculative Narratives by Mootoo, Selvadurai, Chariandy and Díaz

  1. Llarena-Ascanio, María Jesús 1
  1. 1 Universidad de La Laguna
    info

    Universidad de La Laguna

    San Cristobal de La Laguna, España

    ROR https://ror.org/01r9z8p25

Revista:
Indialogs: Spanish journal of India studies

ISSN: 2339-8523

Año de publicación: 2020

Título del ejemplar: Gender

Volumen: 7

Páginas: 27-43

Tipo: Artículo

DOI: 10.5565/REV/INDIALOGS.142 DIALNET GOOGLE SCHOLAR lock_openAcceso abierto editor

Otras publicaciones en: Indialogs: Spanish journal of India studies

Resumen

 Este artículo interpreta el modo en que escritores transnacionales usan lo gótico para investigar los conceptos de tiempo, espacio y memoria cultural de sus ancestros que hoy pareciera extraña debido a la transterritorialización que sufren. Este legado aparece en forma de la huella que resulta de la migración diaspórica y el extrañamiento que persigue a los protagonistas de estos relatos. Este ensayo revisa las nociones de identidad cultural y la naturaleza cambiante de la narrativa diaspórica de los últimos treinta años. Intentaremos analizar algunos relatos transnacionales que llamaremos hemisféricos y que tienen similitud en el Canadá sudasiático y el Caribe por diferentes razones políticas y traumáticas, en su representación cinemática del espacio doméstico y en las fronteras físicas y psicológicas que nos encadenan a los recuerdos de nuestros antepasados. 

Referencias bibliográficas

  • AHMED, SARAH (2009). “Happiness and Queer Politics.” World PictureJournal.Vol.3:1-20. http://www.worldpicturejournal.com/WP_3/PDFs/Ahmed.pdf.Web.
  • ALEMANY BAY, CARMEN (2016). “Narrar lo inusual: Bestiaria vida de Cecilia Eudave y El animal sobre la piedra de Daniela Tarazona.” Romances Notes. 56.1: 131-141. ttps://doi.org/10.1353/rmc.2016.0013
  • ALEMANY BAY, CARMEN (2019). Prólogo. Microcolapsos. Cecilia Eudave. EOLAS Ediciones.
  • ALONSO ALONSO, MARÍA (2011). “The Woman that Turned into a Ball of Fire and Whipped Across the Sky at Night: Recreating History and Memory in the Diaspora.” Journal of English Studies. Vol. 9: 13-28.
  • https://doi.org/10.18172/jes.157
  • BRAIDOTTI, ROSI & PAUL GILROY (2016) “Introduction.” Conflicting Humanities. Rosi Braidotti & Paul Gilroy (eds). London: Bloomsbury. 1-7.
  • BRAIDOTTI, ROSI & PAUL GILROY (2016). “The Contested Posthumanities,” Conflicting Humanities. Rosi Braidotti & Paul Gilroy (eds). London: Bloomsbury. 9-45.
  • BRYDON, DIANA (2017). “Introduction. Canada, Brazil and Beyond: Extending the Dialogue.” Canada and Beyond: A Journal of Canadian Literary and Cultural Studies. Vol. 6: 3-8. https://doi.org/10.33776/candb.v6i1.3075
  • BUTLER, JUDITH. (2004). Precarious Life: The Powers of Mourning and Violence. London: Verso.
  • CASTEEL, SARAH (2003). “New World Pastoral: The Caribbean Garden and Emplacement in Gisèle Pineau and Shani Mootoo.” Interventions. 5, no 1: 14. https://doi.org/10.1080/13698032000049770
  • CHARIANDY, DAVID (2007). Soucouyant: A Novel of Forgetting. Vancouver: Arsenal Pulp Press.
  • CHARIANDY, DAVID (2017). Brother. New York: Bloomsbury.
  • COHEN, ROBIN (2007). “Creolization and Diaspora: The Cultural Politics of Divergence and Some Convergence.” Opportunity Structures in Diaspora Relations: Comparisons in Contemporary Multi-Level Politics of Diaspora and Transnational Identity. Gloria Totoricagüena (ed.). Reno, Nevada: U of Nevada P. 1-27.
  • COLEMAN, DANIEL (2012). “Epistemological Cross-Talk: Between Melancholia and Spiritual Cosmology in David Chariandy’s Soucouyant and Lee Maracle´s Daughters Are Forever.” Diana Brydon and Marta Dvorák (eds). Crosstalk: Canadian and Global Imaginaries in Dialogue. Waterloo, ON: Wilfrid Laurier University Press, 2012. 55.
  • DÍAZ, JUNOT (2007). The Brief Wondrous Life of Oscar Wao. New York: Penguin.
  • GAIROLA, RAHUL K. (2016). Review of The Hungry Ghosts. The South Asian Review. 239-243.
  • GAIROLA, RAHUL K. (2017). “Bastardly Duppies and Dastardly Dykes: Queer Sexuality and the Supernatural in Michelle Cliff’s Abeng and Shani Mootoo’s Cereus Blooms at Night. Wagadu: A Journal of Transnational Women’s and Gender Studies. Vol 18, Winter: 19-54.
  • GARCÍA ZARRANZ, LIBE (2013). Queer TransCanadian Women’s Writing in the 21st Century: Assembling a New Cross-Border Ethic. PhD. Thesis. University of Alberta.
  • GILROY, PAUL (1993). The Black Atlantic: Modernity and Double Consciousness. Cambridge: Harvard UP.
  • HOWELLS, CORAL ANN (2003). Contemporary Canadian Women’s Fiction: Refiguring Identities. New York: Palgrave MacMillan.
  • JAY, PAUL (2010). Global Matters: The Transnational Turn in Literary Studies. Ithaca, New York: Cornell UP.
  • MACKEY, ALLISON (2011). “Apparitions of Planetary Consciousness in Contemporary Coming-of-Age Narratives: Reimagining Knowledge, Responsibility and Belonging.” PhD Thesis. Ontario: McMaster University.
  • MARTÍN-LUCAS, BELÉN (2017). “Posthuman Affect in the Global Empire: Queer Speculative Fictions of Canada.” In: BEYOND “Understanding Canada:” Transnational Perspectives on Canadian Literature. Melissa Tanti, Jeremy Haynes, Daniel Coleman, and Lorraine York (eds). Edmonton: University of Alberta Press. 151-171.
  • MOOTOO, SHANI (1993). Out of Main Street & Other Stories. Vancouver: Press Gang. Print.
  • MOOTOO, SHANI (1996, 2001). Cereus Blooms at Night. NY: Perennial.
  • PIRBHAI, MARIAM (2008). “An Ethos of Difference, A Praxis of Inclusion: The Ethics of Global Citizenship in Shani Mootoo’s Cereus Blooms at Night.” Ty, Eleanor & Christl Verduyn (eds). Asian Canadian Writing Beyond Ethnography. Waterloo, ON: Wilfrid Laurier UP, 2008. 248-262.
  • ONDAATJE, MICHAEL (1982, 1983). Running in the Family. London: Víctor Gollancz.
  • POBLETE, JUAN (2018). “Introduction: Twenty-Five Years of Latin American Studies.” New Approaches to Latin American Studies.New York: Routledge. 1-13.
  • RADER, PAMELA J. (2012). “‘Trawling in Silences’: Finding Humanity in the Páginas en Blanco of Junot Díaz’s The Brief Wondrous Life of Oscar Wao.” Label Me Latina/o. Vol II. Spring: 1-23.
  • ROAS, DAVID (2019): Tras los límites de lo real: Una definición de lo fantástico. Madrid: Páginas de Espuma.
  • SELVADURAI, SHYAM (2014). The Hungry Ghosts. Anchor Canada.
  • SIEMERLING, WINFRIED & SARAH PHILLIPS CASTEEL (2010). “Introduction.” Canada and Its Americas: Transnational Navigations. Winfried Siemerling & Sarah Phillips Casteel (eds). Montreal, Kingston: McGill-Queen’s UP. 3-28.
  • SMYTH, HEATHER (1999). “Sexual Citizenship and Caribbean-Canadian Fiction: Dionne Brand’s in Another Place, Not Here and Shani Mootoo’s Cereus Blooms at Night,” ARIEL 30, No 2:141-160.
  • SUGARS, CYNTHIA & ELEANOR TY (2014). “Introduction. Thinking Beyond Nostalgia: Canadian Literature and Cultural Memory.” Cynthia Sugars & Eleanor Ty (eds). Canadian Literature and Cultural Memory. Ontario: OUP. 1-19.
  • SUGARS, CYNTHIA & GERRY TURCOTTE (2009). “Introduction.” Cynthia Sugars & Gerry Turcotte (eds). Unsettled Remains: Canadian Literature and the Postcolonial Gothic. Ontario: Wilfrid Laurier UP. Vii-xxvi.
  • SUGARS, CYNTHIA (2011). “Phantom Nation: English-Canadian Literature and the Desire for Ghosts.” Zeitschrift für Kanada-Studien. Vol. 31, Nº 2: 58-77.
  • TY, ELEANOR & CHRISTL VERDUYN (eds) (2008). Asian Canadian Writing Beyond Ethnography. Waterloo, ON: Wilfrid Laurier UP.
  • TY, ELEANOR (2011). “Representing ‘Other’ Diasporas in Recent Global
  • Canadian Fiction.” College Literature. Vol. 38, Nº 4: 98-114.
  • https://doi.org/10.1353/lit.2011.0047
  • VAN DER MAREL, L. CAMILE (2017). “Amortizing Memory: Debt as Mnemonic Device in Caribbean Canadian Literature.” Small Axe. 54:11. 18-39. https://doi.org/10.1215/07990537-4271953
  • ZORC-MAVER, DARJA & IGOR MAVER (2011). “Guillermo Verdechia and the frontera in Contemporary Canadian Diasporic Writing.” Acta Literaria. Vol. 43: 119-126. https://doi.org/10.4067/S0717-68482011000200009
Fuente de los datos: Dialnet