Palabra por palabraprácticas de escritura conce
ISSN: 0011-250X
Ano de publicación: 2019
Número: 823
Páxinas: 4-14
Tipo: Artigo
Outras publicacións en: Cuadernos Hispanoamericanos
Referencias bibliográficas
- Buchloh, Benjamin (2004). Formalismo e historicidad. Madrid: Akal.
- Cusset, François (2005). French Theory. Foucault, Derrida, Deleuze & Cía. y las mutaciones de la vida intelectual en Estados Unidos. Barcelona: Melusina.
- Dworkin, Craig, ed. (2006). Language to Cover a Page: The Early Writings of Vito Acconci. Cambridge (Massachusetts): The MIT Press.
- Dworkin, Craig, ed. « From "The Fate of Echo "» (2018), Postscript: Writing After Conceptual Art. Toronto: University of Toronto Press.
- Goldsmith, Kenneth (2001). Soliloquy. Nueva York: Granary Books.
- Goldsmith, Kenneth (2005). Theory. París: Jean Boîte Éditions.
- Goldsmith, Kenneth (2011). Uncreative Writing: Managing Language in the Digital Age. Nueva York: Columbia University Press.
- Goldsmith, Kenneth y Goldsmith, Kenneth, eds. (2011). Against Expression: An Anthology of Conceptual Writing. Evanston (Illinois): Northwestern University Press.
- Hilder, Jamie (2012). «Concrete Poetry and Conceptual Art: A Misunderstanding», Contemporary Literature, vol. 54, num. 3, otoño.
- Kotz, Liz (2007). Words to be Looked at. Language in 1960s Art. Cambridge (Massachusetts): The MIT Press.
- Lovatt, Anna (2012), «The Mechanics of Writing: Sol LeWitt, Stéphane Mallarmé and Roland Barthes», Word & Image, vol. 28, num. 4.
- Place, Vanessa (2018). «Echo'HΧΩ», Postscript: Writing After Conceptual Art. Toronto: University of Toronto Press.
- Place, Vanessa y Fitterman, Robert (2009). Notes on Conceptua-lisms. Nueva York: Ugly Duckling Presse.
- Smithson, Robert (1996). The Collected Writings, Nueva York: New York University Press.
- Tucman, Phyllis (1970). « An Interview with Carl Andre», Artforum, vol. 8.