El mundo bajo la máscarael vórtice creativo en Le Fantôme de l’Opera

  1. Carmen Milagros González Chávez 1
  1. 1 Universidad de La Laguna
    info

    Universidad de La Laguna

    San Cristobal de La Laguna, España

    ROR https://ror.org/01r9z8p25

Journal:
Revista Latente: Revista de Historia y Estética del Audiovisual

ISSN: 1697-459X

Year of publication: 2022

Issue: 20

Pages: 81-102

Type: Article

DOI: 10.25145/J.LATENTE.2022.20.03 DIALNET GOOGLE SCHOLAR lock_openRIULL editor

More publications in: Revista Latente: Revista de Historia y Estética del Audiovisual

Abstract

This article aims to analyse some film adaptations of Gaston Leroux’s novel Le Fantôme de l’Opéra (especially The Phantom of the Opera, a silent film from 1925 and Andrew Lloyd Webber’s The Phantom of the Opera, a musical from 2004). Film and literature go hand in hand to create a mystery that raises associations to other literary sources and other artistic manifestations.

Data source: Dialnet