El mundo bajo la máscarael vórtice creativo en Le Fantôme de l’Opera
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Universidad de La Laguna
info
ISSN: 1697-459X
Année de publication: 2022
Número: 20
Pages: 81-102
Type: Article
D'autres publications dans: Revista Latente: Revista de Historia y Estética del Audiovisual
Résumé
This article aims to analyse some film adaptations of Gaston Leroux’s novel Le Fantôme de l’Opéra (especially The Phantom of the Opera, a silent film from 1925 and Andrew Lloyd Webber’s The Phantom of the Opera, a musical from 2004). Film and literature go hand in hand to create a mystery that raises associations to other literary sources and other artistic manifestations.