A deluge of affectscritical encounters in the body remembers when the world broke open

  1. Darias-Beautell, Eva 1
  1. 1 Universidad de La Laguna
    info

    Universidad de La Laguna

    San Cristobal de La Laguna, España

    ROR https://ror.org/01r9z8p25

Revista:
IJES: international journal of English studies

ISSN: 1578-7044

Año de publicación: 2023

Volumen: 23

Número: 1

Páginas: 127-146

Tipo: Artículo

DOI: 10.6018/IJES.542731 DIALNET GOOGLE SCHOLAR lock_openDIGITUM editor

Otras publicaciones en: IJES: international journal of English studies

Resumen

Este artículo examina la película de Elle-Máijá Tailfeathers y Kathleen Hepburn The Body Remembers When the World Broke Open (2019) a través de la lente de las teorías materialistas y feministas del afecto en su intersección con la crítica Indigeneity. Investiga cómo la película produce dos reacciones paralelas y contradictorias en el espectador, para quien los “feos sentimientos” (Ngai, 2007), como el fracaso, la vergüenza, la lástima o la vergüenza, compiten con una abrumadora y muchas veces frustrada necesidad de empatía y compasión.

Referencias bibliográficas

  • Ahmed, S. (2000). Strange Encounters: Embodied Others in Post-Coloniality. Routledge.
  • Babic, M. (2000). Let’s Talk about the Interregnum: Gramsci and the Crisis of the Liberal World Order. International Affairs, 96.3, 767–786.
  • Balibar, E. (2000). From Violence as Anti-Politics to Politics as Anti-Violence. Critical Times, 3.3, 384–398.
  • Balibar, E. (2001). Outlines of a Topography of Cruelty: Citizenship and Civility in the Era of Global Violence. Constellations, 8.1, 15–29.
  • Bauman, Z. (2012). Times of Interregnum. Ethics & Global Politics, 5.1, 49–56.
  • Belcourt, B-R. (2017, February 8). The body remembers when the world broke open. artseverywhere. Retrieved 12 August, 2022 from https://artseverywhere.ca/body-remembers-world-broke-open/
  • Berlant, L. (2011). Cruel Optimism. Duke UP.
  • Coulthard, G. (2014). Red Skin, White Masks: Rejecting the Colonial Politics of Recognition. Minneapolis: University of Minnesota Press.
  • Crey, K. (2020). Review of The Body Remembers When the World Broke Open. BC Studies, 205, 109–110.
  • Emberley, J. (2015). In/Hospitable “Aboriginalities” in Contemporary Indigenous Women’s Writing. In C. Sugars (Ed.), The Oxford Handbook of Canadian Literature (pp. 209–224). Oxford UP.
  • Goldstein, G. (2019, November 26). Review: A tale of two women, ‘The Body Remembers When the World Broke Open’ is remarkable. Los Angeles Times. Retrieved 12 August, 2022 from https://www.latimes.com/entertainment-arts/movies/story/2019-11-26/body-remembers-when-world-broke-open-review-canada
  • Gramsci, A. (1971). Selections from the Prison Notebooks. New York: International Publishers.
  • Green, J. (2017). Taking More Account of Indigenous Feminism: An Introduction. In J. Green (Ed), Making Space for Indigenous Feminism (pp. 1–19). Fernwood.
  • Heidinger, L. (2022, April 26). Violent victimization and perceptions of safety: Experiences of First Nations, Métis and Inuit women in Canada. Canadian Centre for Justice and Community Safety Statistics. Retrieved 22 August, 2022 from https://www150.statcan.gc.ca/n1/pub/85-002-x/2022001/article/00004-eng.htm
  • Hokawhitu, Brendan et al. (Eds.). (2021). Routledge Handbook of Critical Indigenous Studies. Routledge.
  • King, T. (2012). The Inconvenient Indian: A Curious Account of Native People in North America. Anchor.
  • Kuokkanen, R. (2017). Politics of Gendered Violence in Indigenous Communities. In J. Green (Ed), Making Space for Indigenous Feminism (pp. 103–118). Fernwood.
  • Linden, S. (2019, November 27). ‘The Body Remembers When the World Broke Open’: Film Review. The Hollywood Reporter. Retrieved 22 July, 2022 from https://www.hollywoodreporter.com/movies/movie-reviews/body-remembers-world-broke-open-1257960/
  • Mitchell, J. (1971). Little Green. Blue. Reprise.
  • Ngai, S. (2007). Ugly Feelings. Harvard UP.
  • Posner, M. (1998). Little Green a Little Blue. Joni Mitchell Official Website. Retrieved 12 August, 2022 from https://jonimitchell.com/library/view.cfm?id=109
  • Power, T. (2000, January 16). Interview with Kathleen Hepburn and Elle-Máijá Tailfeathers. Q on CBC. Retrieved 30 August, 2022 from https://www.youtube.com/watch?v=0yS9zQVTIb8
  • Schwientek, S. (2022, March 13). Alberta Juno nominee says learning Cree brought more beauty to her music. CBC News. Retrieved 12 August, 2022 from https://www.cbc.ca/news/canada/edmonton/fawn-wood-juno-nomination-traditional-indigenous-1.6380286
  • Shoos, D. L. (2020). Watching with Feminist Vigilance: Media Genres of Male Partner Violence Against Women. In V. Bergvall, D. Shoos, P. Sotirin, (Eds), Feminist Vigilance (pp.101–121). Springer International.
  • Smith, J. (2019, October 30). The Body Remembers Captures the True East Van in Real Time. The Georgia Straight. Retrieved 8 August, 2022 from https://www.straight.com/movies/1319641/body-remembers-captures-true-east-van-real-time
  • Swanson, C. (2015, February 8). Joni Mitchell: Unyielding. The Cut. Retrieved 10 August, 2022 from https://www.thecut.com/2015/02/joni-mitchell-fashion-muse.html
  • Tailfeathers, E-M. & K. Hepburn. (2019). The Body Remembers When the World Broke Open. Experimental Forest Films and Violator Films.
  • Wood, F. (2012). Mommy’s Little Guy. Iskwewak: Songs of Indigenous Womanhood. Canyon Records.
  • Truth and Reconciliation Commission Website. (2022). National Center for Truth and Reconciliation. University of Manitoba. https://nctr.ca/
Fuente de los datos: Dialnet