Publicaciones (38) Publicaciones de Pedro Miguel Carmona Rodríguez

2024

  1. Philip Huynh’s The Forbidden Purple City: New Canadian Refugee Narratives and the Borders of the Socio-Political Community

    Humanities, Vol. 13, Núm. 2, pp. 39

2023

  1. “Gardening in Eden”: Wasted Lives, or Detoxic Identities in Gail AndersonDargatz’s Turtle Valley and Barbara Kingsolver’s Prodigal Summer

    Revista Canaria de Estudios Ingleses, Núm. 86, pp. 53-69

2020

  1. A Few Sockeyes and Dying Embers in What Is Left of the Forest: Settler Culture and Changing Views of Nature in Gail Anderson Dargatz’s Latest Novels

    Avenging Nature: A Survey of the Role of Nature in Modern and Contemporary Art and Literature (Rowman & Littlefield)

  2. “A Backwards Journey to Remake the Future”: Globality and Cultural Border-Crossing in Madeleine Thien’s “Simple Recipes” and “A Map of the City”

    Les cahiers de la nouvelle = Journal of the Short Story in English, pp. 63-77

2019

  1. Canadian Fictions of Globality ed. lit.

    Revista Canaria de Estudios Ingleses

  2. Canadian Fictions of Globality: Introduction pr.

    Revista Canaria de Estudios Ingleses, Núm. 78, pp. 9-14

2018

  1. Miradores y miraderos de Tenerife: Viewing and vantage points of Tenerife = Bekannte und Unbekannte miradores auf Teneriffa

    Editorial Herques

2015

  1. Neither Chuckwagons, nor Saskatoons, and a Missing Malboro Man:: postcolonialism, Regionalism and the Ineffable Canadian West

    Miscelánea: A journal of english and american studies, Núm. 52, pp. 31-49

2011

  1. Discourses of dissent : language, silence and transcultural transit in Marlene NourbeSe Philip's writings

    LAP LAMBERT Academic Publishing

2009

  1. Canadians live too close to us: border theories on the edge(s) of culture(s) and fiction(s)

    Textural identities of Identity Politics: debates from Afar on recent US cultural texts (Servicio de Publicaciones), pp. 163-174

2008

  1. Beyond the edge of the century: the postcolonial imagination in the "new" fiction of the Canadas

    Miscelánea: A journal of english and american studies, Núm. 38, pp. 29-45

  2. Spades, actors and fags: fiction and/as Queer Theory in Timoty Findley's "Spadework"

    Proceedings from the 31st AEDEAN Conference: [electronic resource]

2006

  1. "In the Aprocrypha": metaficción historiográfica, testimonio y la escritura de una historia marginal en "Alias Grace", de Margaret Atwood

    Odisea: Revista de estudios ingleses, Núm. 7, pp. 45-58

  2. Hyphens, Boundaries and Third Spaces: Identity and Cultural Politics in Afro-Caribbean-Canadian Writing

    Revista de Filología de la Universidad de La Laguna, Núm. 24, pp. 57-68

  3. I am a landscape of desire: gender, genre and the deconstruction of the textuality of empire in Douglas Glover’s Elle

    Proceedings of the 29th internacional AEDEAN conference: [electronic resource]

  4. Marlene Nourbese Philip’s stories:: gender, recovery and cultural dissent in border fiction

    Proceedings of the 29th internacional AEDEAN conference: [electronic resource]

2005

  1. Outing the canon. Terry Goldie. Pink snow: homotextual possibilities in Canadian fiction. Peterborough (Ontario): Broadview, 2003

    Revista Canaria de Estudios Ingleses, Núm. 50, pp. 313-315

  2. Remember first to possess his books: appropriation and the abrogation of colonialist authority in Marlene Nourbese Philip's Miranda stories

    Actas XXVIII Congreso Internacional AEDEAN: [recurso electrónico]

  3. Walking the streets dressed like woman: gender trouble and the collapse of the gendersex equation in Shani Mootoo's cereus blooms at night

    Actas XXVIII Congreso Internacional AEDEAN: [recurso electrónico]

  4. Was is there or was it here?: transcultural visions in Marlene Nourbese Philip's early poetry

    Revista de Filología de la Universidad de La Laguna, Núm. 23, pp. 49-64