Palabra por palabraprácticas de escritura conce

Referencias bibliográficas

• Buchloh, Benjamin (2004). Formalismo e historicidad. Madrid: Akal.
• Cusset, François (2005). French Theory. Foucault, Derrida, Deleuze & Cía. y las mutaciones de la vida intelectual en Estados Unidos. Barcelona: Melusina.
• Dworkin, Craig, ed. (2006). Language to Cover a Page: The Early Writings of Vito Acconci. Cambridge (Massachusetts): The MIT Press.
• Dworkin, Craig, ed. « From "The Fate of Echo "» (2018), Postscript: Writing After Conceptual Art. Toronto: University of Toronto Press.
• Goldsmith, Kenneth (2001). Soliloquy. Nueva York: Granary Books.
• Goldsmith, Kenneth (2005). Theory. París: Jean Boîte Éditions.
• Goldsmith, Kenneth (2011). Uncreative Writing: Managing Language in the Digital Age. Nueva York: Columbia University Press.
• Goldsmith, Kenneth y Goldsmith, Kenneth, eds. (2011). Against Expression: An Anthology of Conceptual Writing. Evanston (Illinois): Northwestern University Press.
• Hilder, Jamie (2012). «Concrete Poetry and Conceptual Art: A Misunderstanding», Contemporary Literature, vol. 54, num. 3, otoño.
• Kotz, Liz (2007). Words to be Looked at. Language in 1960s Art. Cambridge (Massachusetts): The MIT Press.
• Lovatt, Anna (2012), «The Mechanics of Writing: Sol LeWitt, Stéphane Mallarmé and Roland Barthes», Word & Image, vol. 28, num. 4.
• Place, Vanessa (2018). «Echo'HΧΩ», Postscript: Writing After Conceptual Art. Toronto: University of Toronto Press.
• Place, Vanessa y Fitterman, Robert (2009). Notes on Conceptua-lisms. Nueva York: Ugly Duckling Presse.
• Smithson, Robert (1996). The Collected Writings, Nueva York: New York University Press.
• Tucman, Phyllis (1970). « An Interview with Carl Andre», Artforum, vol. 8.