![Foto de Fabián](/img/uploaded/897EDE114B6DC95124395FEB10A435FE.png)
Fabián
Orán Llarena
Profesor Ayudante Doctor
Publicaciones (16) Publicaciones de Fabián Orán Llarena
2024
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The Revenge of the Serves: The Wounds of Neoliberalism in Jordan Peele’s Us (2019)
Culture Wars and Horror Movies: Social Fears and Ideology in post-2010 Horror Cinema (Palgrave Macmillan Suiza), pp. 149-167
2023
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Introduction1: An Approach to Unhappy Beginnings
Unhappy Beginnings: Narratives of Precarity, Failure, and Resistance in North American Texts
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The Road to Serfdom1: The (Unhappy) Neoliberal Workplace in The Assistant
Unhappy Beginnings: Narratives of Precarity, Failure, and Resistance in North American Texts (Taylor and Francis), pp. 49-60
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Unhappy Beginnings: Narratives of Precarity, Failure, and Resistance in North American Texts
Taylor and Francis, pp. 1-190
2022
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A Crisis of Confidence: Fracture and Malaise in the US Polity in Dragged Across Concrete
Screening the crisis US cinema and social change in the wake of the 2008 Crash (Bloomsbury Publishing)
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Postcards from the Interregnum: North-American Cinemas and the Representation of the Great Recession
Moving beyond the pandemic: English and American studies in Spain
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The "Jokerfication" of society: hope (not Batman) will save us – (Round Table)
45th AEDEAN Conference: Facultad de Filosofía y Letras Universidad de Extremadura, november 16,18 2022 Cáceres
2020
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Of Godfathers and Markets: The Politics of (the) American Gangster
Atlantis: Revista de la Asociación Española de Estudios Anglo-Norteamericanos, Vol. 42, Núm. 1, pp. 57-75
2018
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2016: Populist Odyssey: Neoliberalism and Populism in Hell or High Water
Revista de Estudios Norteamericanos, Núm. 22, pp. 247-273
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Apocalypses Now: Two Modes of Vulnerability in Last Night and The Mist
Canada and Beyond: a Journal of Canadian Literary and Cultural, Vol. 7, Núm. 1, pp. 61-70
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Waitin' on the Ghost of Tom Joad: The Neoliberal Reconstruction of the Great Depression Years in Cinderella Man
Miscelánea: A journal of english and american studies, Núm. 58, pp. 101-120
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“We the people”: right-wing populism in “Law abiding citizen” and “Hell or high wáter”
Broadening horizons: a peak panorama of English studies in Spain
2017
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The construction of 9/11 in American Film: (geo) political and semiotic signification
En el punto de mira: investigaciones sobre comunicación en la era digital (McGraw-Hill USA), pp. 193-204
2015
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Ridley Scott’s Dystopia Meets Ronald Reagan’s America: Class Conflict and Political Disclosure in Blade Runner: The Final Cut
Revista Canaria de Estudios Ingleses, Núm. 70, pp. 156-168
2014
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Images and words: divulging the interaction between film and literature
Reshaping publishing in the twentieth and twenty-first century (Sociedad Latina de Comunicación Social), pp. 133-151
2012
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A Historicist Proposal. Blood Simple, Neo-Noir at the End of the American Century
Revista Latente: Revista de Historia y Estética del Audiovisual, Núm. 10, pp. 133-152