Publicaciones (16) Publicaciones de Fabián Orán Llarena

2024

  1. The Revenge of the Serves: The Wounds of Neoliberalism in Jordan Peele’s Us (2019)

    Culture Wars and Horror Movies: Social Fears and Ideology in post-2010 Horror Cinema (Palgrave Macmillan Suiza), pp. 149-167

2023

  1. Introduction1: An Approach to Unhappy Beginnings

    Unhappy Beginnings: Narratives of Precarity, Failure, and Resistance in North American Texts

  2. The Road to Serfdom1: The (Unhappy) Neoliberal Workplace in The Assistant

    Unhappy Beginnings: Narratives of Precarity, Failure, and Resistance in North American Texts (Taylor and Francis), pp. 49-60

  3. Unhappy Beginnings: Narratives of Precarity, Failure, and Resistance in North American Texts

    Taylor and Francis, pp. 1-190

2022

  1. A Crisis of Confidence: Fracture and Malaise in the US Polity in Dragged Across Concrete

    Screening the Crisis: US Cinema and Social Change in the Wake of the 2008 Crash (Bloomsbury Publishing Plc.), pp. 198-212

  2. Postcards from the Interregnum: North-American Cinemas and the Representation of the Great Recession

    Moving beyond the pandemic: English and American studies in Spain

  3. The "Jokerfication" of society: hope (not Batman) will save us – (Round Table)

    45th AEDEAN Conference: Facultad de Filosofía y Letras Universidad de Extremadura, november 16,18 2022 Cáceres

2020

  1. Of Godfathers and Markets: The Politics of (the) American Gangster

    Atlantis: Revista de la Asociación Española de Estudios Anglo-Norteamericanos, Vol. 42, Núm. 1, pp. 57-75

2018

  1. 2016: Populist Odyssey: Neoliberalism and Populism in Hell or High Water

    Revista de Estudios Norteamericanos, Núm. 22, pp. 247-273

  2. Apocalypses Now: Two Modes of Vulnerability in Last Night and The Mist

    Canada and Beyond: a Journal of Canadian Literary and Cultural, Vol. 7, Núm. 1, pp. 61-70

  3. Waitin' on the Ghost of Tom Joad: The Neoliberal Reconstruction of the Great Depression Years in Cinderella Man

    Miscelánea: A journal of english and american studies, Núm. 58, pp. 101-120

  4. “We the people”: right-wing populism in “Law abiding citizen” and “Hell or high wáter”

    Broadening horizons: a peak panorama of English studies in Spain: [41th AEDEAN Conference]

2017

  1. The construction of 9/11 in American Film: (geo) political and semiotic signification

    En el punto de mira: investigaciones sobre comunicación en la era digital (McGraw-Hill USA), pp. 193-204

2015

  1. Ridley Scott’s Dystopia Meets Ronald Reagan’s America: Class Conflict and Political Disclosure in Blade Runner: The Final Cut

    Revista Canaria de Estudios Ingleses, Núm. 70, pp. 156-168

2014

  1. Images and words: divulging the interaction between film and literature

    Reshaping publishing in the twentieth and twenty-first century (Sociedad Latina de Comunicación Social), pp. 133-151

2012

  1. A Historicist Proposal. Blood Simple, Neo-Noir at the End of the American Century

    Revista Latente: Revista de Historia y Estética del Audiovisual, Núm. 10, pp. 133-152