Publicaciones (15) Publicaciones de Fabián Orán Llarena

2023

  1. Introduction1: An Approach to Unhappy Beginnings

    Unhappy Beginnings: Narratives of Precarity, Failure, and Resistance in North American Texts

  2. The Road to Serfdom1: The (Unhappy) Neoliberal Workplace in The Assistant

    Unhappy Beginnings: Narratives of Precarity, Failure, and Resistance in North American Texts (Taylor and Francis), pp. 49-60

  3. Unhappy Beginnings: Narratives of Precarity, Failure, and Resistance in North American Texts

    Taylor and Francis, pp. 1-190

2022

  1. A Crisis of Confidence: Fracture and Malaise in the US Polity in Dragged Across Concrete

    Screening the crisis US cinema and social change in the wake of the 2008 Crash (Bloomsbury Publishing)

  2. Postcards from the Interregnum: North-American Cinemas and the Representation of the Great Recession

    Moving beyond the pandemic: English and American studies in Spain

  3. The "Jokerfication" of society: hope (not Batman) will save us – (Round Table)

    45th AEDEAN Conference: Facultad de Filosofía y Letras Universidad de Extremadura, november 16,18 2022 Cáceres

2020

  1. Of Godfathers and Markets: The Politics of (the) American Gangster

    Atlantis: Revista de la Asociación Española de Estudios Anglo-Norteamericanos, Vol. 42, Núm. 1, pp. 57-75

2018

  1. 2016: Populist Odyssey: Neoliberalism and Populism in Hell or High Water

    Revista de Estudios Norteamericanos, Núm. 22, pp. 247-273

  2. Apocalypses Now: Two Modes of Vulnerability in Last Night and The Mist

    Canada and Beyond: a Journal of Canadian Literary and Cultural, Vol. 7, Núm. 1, pp. 61-70

  3. Waitin' on the Ghost of Tom Joad: The Neoliberal Reconstruction of the Great Depression Years in Cinderella Man

    Miscelánea: A journal of english and american studies, Núm. 58, pp. 101-120

  4. “We the people”: right-wing populism in “Law abiding citizen” and “Hell or high wáter”

    Broadening horizons: a peak panorama of English studies in Spain

2017

  1. The construction of 9/11 in American Film: (geo) political and semiotic signification

    En el punto de mira: investigaciones sobre comunicación en la era digital (McGraw-Hill USA), pp. 193-204

2015

  1. Ridley Scott’s Dystopia Meets Ronald Reagan’s America: Class Conflict and Political Disclosure in Blade Runner: The Final Cut

    Revista Canaria de Estudios Ingleses, Núm. 70, pp. 156-168

2014

  1. Images and words: divulging the interaction between film and literature

    Reshaping publishing in the twentieth and twenty-first century (Sociedad Latina de Comunicación Social), pp. 133-151

2012

  1. A Historicist Proposal. Blood Simple, Neo-Noir at the End of the American Century

    Revista Latente: Revista de Historia y Estética del Audiovisual, Núm. 10, pp. 133-152